I saw an article in Publishers Weekly and wanted to share this very interesting deal.
John Locke is my hero.
No, not THAT John Locke! This guy…
Publishers Weekly reported on Aug 22nd that John Locke, the self-pubbed Kindle bestseller phenom, closed a distribution deal with Simon & Schuster. The deal, negotiated by his agent, is an exclusive arrangement where S&S will handle Locke’s eight Donovan Creed novels and get them into retail markets for print books. These novels are expected to start releasing in Feb 2012 with more titles to follow.
This seems like a really different idea, but a rep at S&S said this concept mimics the type of arrangements made between distributors and small publishers. Whether you consider this unorthodox or not, this is news, people. Locke still distributes his e-books and retains his rights as publisher on all digital fronts. S&S is only getting the right to sell print books to retail markets. S&S sees value in print and paid accordingly for that privilege, but Locke didn’t have to give up his lucrative digital rights.
If Locke hadn’t self-published, he never would have known his true value in the marketplace.
I see this as very encouraging for aspiring authors. The digital marketplace has become the new resume, a proving ground. It requires work to market your own books, but traditional publishers expect authors to do this anyway. Quality and author craft is still important to this process, but I believe if an aspiring author has talent and marketing platform to get the word out, this new digital world can be the best way to showcase work.
Published authors benefit from this development too. Striking a similar arrangement, they would get to focus on their writing, get their e-books into the public faster without all the approval and production schedule delays, and push the genres they write without NYC filtering the content for placement on shelves in retail stores. Established authors already spend time on promotion. Nothing new there, but there would be no more waiting to see if the publisher will spend money on promo or coop dollars for often limited time on the shelves. And the author retains control of cover art, book jacket summary, copy editing, and formatting, if they want it.
Even though S&S has limited access to Locke’s work, it can be looked upon as a WIN-WIN, in my opinion. S&S gets access to books that have a proven readership. They don’t have to “guess” whether a series will gain traction or not. They get exclusive print distribution rights for a known commodity. Not a bad thing to try in a changing world.
The author gets to take the risk of whether his or her book will find success, so they can push the genre or create a new trend—AND keep the rights that are most lucrative these days. The author would also free up time to write more, rather than spend time with the print side of the business—and gain access to retail markets he/she would not have reached on their own. PLUS a proven winner like Locke would also have the attention of NYC with his next project, opening more doors. Definitely a WIN-WIN!
I see this as a very positive arrangement—a healthy one for the industry. Both sides benefit from something they would not have tried otherwise. If a traditional bundled publishing deal can be broken apart for perceived value, how do you think this might change how deals can be negotiated in the future? Can digital rights be retained by the author for the right project? How would an agent’s role change? Would an author have to be a proven bestseller to have enough clout to negotiate a similar deal or does a deal like Locke’s foreshadow things to come for all authors?
Thursday, August 25, 2011
Thursday, August 11, 2011
10 Things I Believe About Writing
With all the uncertainty in our economy and in the publishing industry, in particular, I thought it might be important to talk about the passion we all share. It’s the basic thing that drives us with such conviction. Whether you read books or create them, novels can lift our spirits, tug at our imaginations, make us believe in the impossible, and take us for a journey into the past. (Talk about a cheap vacation!) They dole out justice when it feels as if there’s none and they transcend international borders, making this a small world after all.
If you’re an aspiring author, I believe it’s harder to get noticed by traditional publishers these days, yet with the digital boom in e-books, I feel there is even greater potential for getting discovered in a whole new way that still feeds our addiction. So take heart. Below are my thoughts about writing and what I’ve learned on my journey.
1. Tell YOUR story, your way. If you have enough drive, you will discover a unique story that you must tell. If you’re lucky, more stories will follow. Ideas for books can be a contagion worth embracing. Since you use your life’s experiences to filter through your characters, scenes and settings, only YOU can tell this story. How cool is that?!
2. Develop a tough skin. There will always be negative people telling you that you can’t write or reviewers who think you should quit. Screw ‘em. If it matters to you, you will learn from your mistakes and keep doing what’s important to you. And if anyone thinks a book is easy to write, let them try. In fact, please be our guest.
3. Be picky about your critique buddies. They can be invaluable if you find the right person or group, but too much of a good thing can dilute your voice. Whatever your story, this is your book. You must have a sense of who you are as a writer in order to push back on any advice that doesn’t fit you and only you can be the judge of that.
4. Find the time to write regularly. Even if it’s only a few hundred words or a page a day, set attainable goals but don’t beat yourself up if life gets in the way. Write because it matters to you.
5. Focus on the basics. Writing is the only thing you can control. Selling your project, promoting it, dealing with proposals, these things are not in your hands and can become a mental road block. When things get tough, your writing is the backbone of your passion.
6. Keep writing. While you have a proposal out, don’t wait by the phone or the mailbox. Get on to that next project and learn from your last one. Push the envelope of your craft, because you can. It’s great to find success in a trend, but why not BE the trend?
7. Trust your talent. As human beings, we all have self-doubt. Some hide it better than others. We all deal with it, but the voice and talent you have shown with each new project will follow you. Trust your ability to tell a story, but also hone the craft of writing to be the best author you can be.Your basic talent will sustain you.
8. Make the words bleed. If the story is worth telling, it’s usually because of the emotion you have to convey. Write what you fear, what you love, what you hate. Man has been telling stories since drawing on cave walls and within those stories has been the thrill of the hunt, the profound sorrow of death, or the joy of good fortune. Emotion connects us all, regardless of any language barrier.
9. Support other authors. This is your world. Our world. We’re not in competition with each other. We’re up against people who choose video games or movies over books. Make them see how powerful the written word can be, how it triggers the magic of our imaginations. Books are brain food. READ them! If you want to understand a genre, READ IT!
10. Find a way to deal with rejections. They will come, in one fashion or another, whether you’re published or not. Rejection comes in all forms. Create a ritual to dispel the negativity and move on, but if you don’t risk rejection, you’re not getting yourself out there enough. Find a happy balance and keep writing. Not many feel passion for what they do. Count yourself lucky to be one of us, a writer.
Since we all share the love of books and writing on Fringe Dweller, please share any words of wisdom that gets you through the tough times. What keeps you going?
Sunday, July 31, 2011
The Importance of Setting & Imagery for Stone Angels
The setting of IN THE ARMS OF STONE ANGELS is a fictitious town in Oklahoma. I picked the name Shawano after I saw that the word in Euchee meant snake or snake pit, which seemed fitting symbolism for this book. There is a Shawano, WI and Shawnee, OK, but this place was made up by me because I wanted the freedom to fictionally portray the undercurrent of bigotry that I needed to tell this story.
I lived in the Oklahoma City area and LOVED it. The people there are very warm and friendly, which is another reason why I had to make up a fantasy small town. If I had written this about a real town in OK, I would never have written this story so dark.
But I did have a specific town in mind when I pictured Shawano and took photos of this place to have in my mind while I wrote the book. I wanted to share some of these images with you and include writing excerpts for those locales.
The real town I had in mind was a charming beautiful & very real place of Guthrie, OK. I LOVE this town. The downtown square is small town Americana at its best and it's even more spectacular at Christmas time when the whole place lights up and people dress up like a Dickens novel.
But there were images not so great either. Rundown businesses, graphiti and sad houses are also there. I took these shots (& more) of Guthrie on a research trip.
On this street is the Pollard theatre that is rumored to be haunted. I really wanted to ghost hunt there one night, but never got the chance. I love this old theatre and watched great Christmas plays there.
These types of houses are in Guthrie, a very quaint place indeed. I imagined Brenna's grandmother living here in a house just like these charmers.
Excerpt from In the Arms of Stone Angels
By the time Mom and I got to Grams’s it was almost too dark to see, but the old Victorian home was easy to spot at the end of the street. It was the biggest house on the block and not quite how I remembered it. In the past few years, Grams had let the place go. The yard and flower beds were overgrown with weeds and the house needed painting. Brick steps that led to the front door needed repair, the wraparound porch railing could use paint, and the bay windows and gabled roof looked scary at night without lights on. The place was real creepy and reminded me of a slasher movie.
Very cool. I could totally shoot a video here.
“If it’s bad, we’ll find a motel until we can do a little cleaning.” She pretended to be cheery. “Where’s your sense of adventure?”
“In North Carolina. I forgot to pack it.” I crossed my arms and slumped against the car.
“Stay put. I’ll need your help with the groceries if we stay tonight,” Mom yelled over her shoulder as she headed toward the front door.
I heaved a sigh and stared up at the old Victorian after my mom left me alone on the driveway. I wasn’t afraid of the dark since cemeteries were my thing, but living in small town suburbia scared the crap out of me.
Maybe the stone angel near Heather's grave looked like this, with its chipped nose, almost looking scary.
Excerpt from In the Arms of Stone Angels
I put my ear to the ground and listened to the sounds of the cemetery in the dark. I heard the crickets in the grass and the breeze through the pine trees as I stared up at the stone angel on the next grave. Heather didn’t have her own guardian angel, but she was in good company. She had one close by.
And in the bluish haze of the moonlight, I saw that the angel’s nose was chipped and dark streaks lined her face like tears. But the angel’s eyes looked so real, I could imagine them opening and seeing me. And her spread arms and faint smile made me feel safe as the graveyard stillness closed in.
Until the night air sent me a message that I wasn't alone.
A wave of electricity swept over me, causing the hair on my arms and the back of my neck to stand on end. And static pops swirled around and through me. I knew what it meant and I turned, peering through the dark.
A door had opened to the other side. I’d felt it before.
And a gust of cold blew through my hair and made me squint. Movement near the stone angel grabbed my attention. Fingers crept out from behind the angel’s shoulder—a slow and deliberate move like the silent stealth of a tarantula—and a small hand slid down the stone arm.
Sometimes the dead had a weird sense of what was funny.
Heather Madsen peered out from behind the statue—more timid and frail than I remembered her—and dressed in the clothes she had been buried in. Her mother’s choice. Heather wouldn’t have been caught dead in that dress. So I knew her coming had to be important. In life Heather had never smiled at me, but tonight she did for the first time. And it made her look sad.
The dead never speak. I don’t know why. So I didn’t expect that to change with Heather. For whatever reason the drop-dead gorgeous brunette with fierce green eyes had come, she’d let me know in her own sweet time. Without a word, I waved a hand to say “Hi” and stretched out on the grass over her grave.
I knew I wouldn’t sleep, but I hoped that Heather would rest easier knowing she wasn’t alone…even if she only had me.
And the image below is of Libby, the girl who inspired my character. I found her on ModelMayhem, but when I went back to contact her, to see if my publisher could use her for the cover, she was no longer listed. The way she dressed in this photo inspired everything about Brenna, right down to her spirit to be different. I loved the vulnerability behind those big sunglasses too. Libby, where are you? I miss you.
Excerpt from In the Arms of Stone Angels
I wasn’t your average Abercrombie girl. I didn’t wear advertising brand names on my body.
It was a life choice. A religion.
I got my clothes from Dumpster diving and Goodwill, anything I could stitch together that would make my own statement. Today I wore a torn jean jacket over a sundress with leggings that I’d cut holes into. I had a plaid scarf draped around my neck with a cap pulled down on my head. My “screw you” toes were socked away in unlaced army boots and I hid behind a huge pair of dark aviator sunglasses, a signature accessory and only one in a weird collection I carried with me. I liked the anonymity of me seeing out when no one saw in.
The overall impact was that I looked like an aspiring bag lady. A girl’s got to have goals.
In short, I didn’t give a shit about fitting in with the masses and it showed. I’d given up the idea of fitting in long ago. The herd mentality wasn’t for me and since I made things up as I went, people staring came with the territory.
Below is the REAL Cry Baby Creek Truss. It's rumored to be haunted. I used my research as a backdrop to create a story around this creepy setting, the perfect place for a murder.
Excerpt from In the Arms of Stone Angels
I wish I had remembered the part about not telling secrets when I came across my friend White Bird under the bridge at Cry Baby Creek. A woman’s spirit cries for her dead baby and haunts that old rusted steel and wood plank footbridge. I’d seen her plenty of times, I swear to God. She never talked to me. The dead never do. She only cried and clutched the limp body of her baby to her chest.
Back then I didn’t fully understand how fragile the barrier was between my world and another existence where the dead grieved over their babies forever. I had no idea that a change was coming. Someone would alter how I saw the thin veil between my reality and the vast world beyond it.
That someone was my friend, White Bird.
When I saw him crying in the shadows of that dry creek bed, like the ghost of that woman, the sight of him sent chills over my skin. I should have paid attention to what my body was telling me back then—to stay away and leave him alone—but I didn’t.
I hope you enjoyed the extras and my trip down memory lane. Brenna & White Bird will always be in my mind and hold a special place in my heart. No one forgets writing their first YA.
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